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PACIN is dedicated to providing a wide range of information on art handling techniques intended to improve the care of art throughout the world. However, the user of this information must be aware that each and every object, and handling situation, is unique. It is always the responsibilty of the user of PACIN's information to correctly and safely handle works of art. PACIN will not be responsible for any accidents resulting from the use of information provided.

PACIN Archived ListServ Conversations:

Non-traditional materials

FROM: Daniel Neil <neildan@auburn.edu>

SUBJECT: non-traditional materials

We've recently received an exhibition that contains numerous pieces constructed of non-traditional materials ( beaver gnawed sticks, raw wood, un-fired clay etc.) in some cases combined with acrylic or oil paint; my concern is that these materials represent a substantial harborage opportunity for insects. I have access to an Entomologist with a good deal of experience with urban pests and wood borers. He has previously suggested the construction of a "tent" that we can flood with CO2 to gas any hitch hikers. Does anyone have any experience with this sort of thing?

Daniel S. Neil
Preparator
Jule Collins Smith Museum of Fine Art
Auburn University


FROM: Stephen Fixx <Stephen.Fixx@oberlin.edu>

Subject: non-traditional materials

Hi Daniel,

You might spend a moment researching "anoxic" treatments. It's pretty much the same concept as the CO2 tent. As a conservation technician I was previously involved in the treatment of a large contemporary sculpture using this method. Here's a web link to the vendor:

http://www.keepsafe.ca/museums.html

Good luck,

Steve

Stephen F. Fixx
Assistant Exhibit Preparator
Oberlin College
Allen Memorial Art Museum
87 N. Main St.
Oberlin, OH 44074-1161
440/775-6201; Fax: 440/775-6841
email: stephen.fixx@oberlin.edu


FROM: Matthew Cox <matthew@arthopnw.com>

Daniel,

Methyl bromide is most commonly used for this sort of thing. It is used to treat soft woods for international trade and even agriculture. I personally have used it to treat a Richard Long piece that consisted of 1200lbs of drift wood. Methyl Bromide is a toxic gas that creates no residue and your local pest control company should be able to help you find a solution.

Here is the first thing a Google search pulled up on our local company Paratex: http://www.pcc-cfs.com/fumigate.html

Best,

matthew


FROM: "Hinson, Richard" <rhinson@mfah.org>

Daniel,

At the Museum of Fine Arts in Houston we have a plastic bubble we use for fumigating objects. It works quite well for small to medium sized objects. We began using CO2, but after our Conservation Department did some research we began using Nitrogen. The Nitrogen apparently penetrates the objects deeper and faster. It was taking two weeks to fumigate with the CO2 and the Nitrogen takes less than a full week.

I will forward this email to our Conservation Department and ask someone there to respond with more accurate information.

Richard Hinson


FROM: Suzanne_Quigley@whitney.org

During Whitney Biennials we often get non-traditional materials. Not too long ago, a beach hut from Puerto Rico, We made arrangements to have it fumigated locally - crate and all, before it came to the Museum. It took 28 days.

We have had to do the same thing for several crates where it was cheaper to fumigate the crates that we knew had been stored outside in Florida for a year, than it was to build new ones. It took the same amount of time.

We also recently acquired a work that was, essentially, a very large manipulated log (surrounded by leaves from under the artist's mothers house in Vermont). We persuaded the artist that we would get fresh dead leaves each time we showed it. - But in the beginning he was insisting that it be his mothers leaves that were saved.

Talking it out is important. Fumigation is not a bad thing!

Hope this helps!

Suzanne


FROM: Suzanne_Quigley@whitney.org

Hi again, I would like to add, after seeing Steve's post, that in all instances - where I refer to 'fumigation', I really mean an anoxic chamber. I guess I should stop thinking of 'fumigation' as the generic term... But I still have Kleenex in my desk drawer - that will never change.

Cheers from a chilly NYC... suzanne


FROM: Wendy Claire Jessup <prevcon@earthlink.net>
Greetings:

I want to caution against using methyl bromide and urge you to look at the use of least-toxic options such as oxygen scavengers, carbon dioxide or nitrogen.

Methyl bromide has been identified as an ozone-depleting chemical. Also, although Matthew Cox is correct that it is very effective in fumigation of wooden materials because it penetrates well. However, contrary to his posting, methyl bromide will react to a range of materials and may leave a residue on certain types of materials. This has been documented widely in both the pest management and museum conservation literature. Materials containing sulfur (wool, hair, fur, foam rubbers); leather and parchment; viscose rayon; sulphide-processed paper, newsprint, photographic materials and many recent archival materials; natural resins and varnishes; and lead pigments have all been found to be affected in some manner by fumigation with methyl bromide. Granted, some of this damage may have been due to improper fumigation practices and lack of appropriate post-treatment ventilation., there have been reports of persistent odor problems with sulfur bearing materials, softening of resins and varnishes and darkening of paper and lead pigments..

Here’s the link to the Pest Management Resources section at Conservation On-Line: http://palimpsest.stanford.edu/bytopic/pest/. There’s a lot of information there about Integrated Pest Management as well as least-toxic control methods.

Good luck,

Wendy

Wendy Claire Jessup
President and Conservator
Wendy Jessup and Associates, Inc.
1814 N. Stafford St,
Arlington, VA 22207
(703) 522-2801
FAX: (703) 522-2802
prevcon@earthlink.net

 

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